A R T L E T T E R
The Timely Magazine of Art
#43 | <!>previous/ next>!> Artletter index | December 15, 1996 |
Hunt Slonem at Robert McClain and Co. 1/11 Usually it's the painting, not the frame, which gets all the attention, but Slonem custom-makes trivial impasto bird paintings to match his collection of weird found frames. They're not good paintings, but criticizing them seems irrelevant. Like antique store paintings, they exist primarily for their frames. The name seems vaguely phoney, and the concept is so odd I suspect a sophisticated hoax.-B.D. Kyle Young at Hooks Epstein DeKooning, Motherwell, Terell James. . . . the parade of gestural abstraction continues its march. Sensitive lines, swoops and splatters suggest calligraphy, fruits, or breasts against tasteful moss, melon, apricot and royal blue backgrounds; beautiful, but not compelling. -B.D. Duane Michaels at Lynn Goode 1/3 Michaels' photographs have shrunk into illustrations of rambling doggerel. The two narrative sequences in the show, especially The Coincidence retain some of his earlier anecdotal wit.-B.D. Mark Lombardi at Lawndale 1/11 Artistic fence-sitting. Lombardi's drawings aren't quite interesting enough to stand up without the pretense of diagramming important political and economic events, yet fail to actually explain those events clearly. One pretense deflects criticism from the other; giving a superficial impression of 1.) elegant, interesting drawing 2.) telling the viewer something more than "gee! that's really complicated" about global power networks. -B.D. Show and Tell at Diversework's Subspace 1/4 Caroline Bowles' funky dioramas are miniature morality plays in which toy animals, people and objects illustrate a didactic message, spelled out in the pieces' labels. Elisabeth Jackson's paintings are preoccupied with a coquettish sexuality; linking glamour and pornography in abject, disturbingly childlike iconic panels. Other works offer an escape into a purposefully bland space of relaxing bubbles, dots and flowers. Delfina Vannucci reveals herself in a embarassingly direct way, daring viewers to approve or judge, alternately confessional and confrontational.-B.D. Artletter is available the 1st and 15th of every month at Brazos Bookstore, Lawndale, Glassell School, Inman Gallery, Menil Store, CAM Store, Brazil Cafe, Diverseworks and the MFA bookstore. Mail subscriptions $15/year. Address letters to: Bill Davenport, 801 Tulane St., Houston TX 77007