A R T L E T T E R
The Timely Magazine of Art
#42 | <!>previous/ next>!> Artletter index | December 1, 1996 |
Reconstructedness at Diverseworks 1/4 I found this exhibition mysterious in many ways. Most of the pieces forced you to peer into their meanings and the processes by which they were constructed. Whether through humor, visual poetry, or glimpses of a hardened, dirty reality, these 7 Dallas/Fort Worth based found object artists definitely caught my attention. Ludwig Schwartz's untitled pieces, including the covers of microwaveable dinner boxes pinned to a wall, a string of cigarette butts dangling from the ceiling, and a looping video tape of a Beverly Hills 90210 scene in which a character tells her boyfriend, " you're not an artist, you're a whore!" question the treachery of the gallery-feeds-artist relationship. Michael H. Henderson's A Film About the Sky is lyrical and lovely. Tom Sale's miniature worlds are adorable. Anitra Blayton's pieces are a bit ambiguous and uncentered. However, her Dream Deferred: Refuge succeeds in frightening one in a nightmare, half-remembered way. Dottie Allen's photos detailing old letters, surrounded by old frames, photos and bric-a-brac are powerful; vague and personal all at the same time. Looking at them, I felt as if I were reading the artifacts of my extended family's past- and that this family consisted of people I'd never actually met.- Angie Dodson Mark Allen: The Fall Collection at Sally Sprout Gallery 12/27 The videos are amusing and have a frenetic, eerie silliness. Best Video: Burger Boys. Best painting: Hatbox, the tension between pattern, drawing, painted surface, and subject is precisely balanced. Most Beautiful painting: Potato Eater. Best Bargain: 101 shrink art drawings for $1200. I can't say much more; I've looked at it so long I have lost my usually ever-ready facility for snap judgments. Go see it. -B.D. Jesse Amado at the CAM 12/31 Pointless but clumsy romanticism (cut lillies, smoked meat, wilted flowers) masked by pointless but facile materials/process art (rolled lead, cut carpet, glass, clamps, steel, mirrors). Amado has distilled the essential look of two recognizable art genres and combined them with finesse and sensitivity, but to what end? It doesn't add up. Take, for instance, Lily Pond. The wilting lillies are dead, decapitated by a paper cutter/guillotine in the center of a square of floor from which the carpet has been peeled back to expose the tarry adhesive underneath. Should I interpret this to mean that "school will kill you" or "paperwork destroys the flower of our youth"? "The skin of the CAM is being removed, to expose the truth about this school/death tragedy"? None of these interpretations is borne out with any consistency. Apparently the main point is to make something which deflects criticism by fence sitting. Looks good, but what does itsay ?-B.D. Brian Portman at Robert McClain and Co. 11/23 Beautiful brown paintings, like closeups of the old masters. What's not to like? Like fine custom furniture, these well crafted paintings would be a lovely addition to any home. -B.D. Artletter is available the 1st and 15th of every month at Brazos Bookstore, Lawndale, Glassell School, Inman Gallery, Menil Store, CAM Store, Brazil Cafe, Diverseworks and the MFA bookstore. Mail subscriptions $15/year. Address letters to: Bill Davenport, 801 Tulane St., Houston TX 77007