A R T L E T T E R
The Timely Magazine of Art
#8 | <!>previous/ next>!> Artletter index | July 1, 1995 |
Letters: Dear Bill: I'm dismayed because artletter has passed the line between hard and pure on the one hand and hard and mean on the other. The tone of the reviews of Kim O'Grady's show (AL 6 & 7) seem unnecessarily hard. I don't see why you need to bash her three times. Good Luck, Elizabeth McBride The Big Show at Lawndale ends 8/5 Forrest Prince's pieces are clear and utterly convincing. His The Greatest of All is Love is the ultimate valentine. The tiny mirrors are laid with a care which transcends the kitschy disco ball connotations. Like Byzantine mosaics and medieval stained glass, a hokey effect is transformed through faith into a spiritual manifestation. I read the Lesson, and its matter of fact conviction made it seem, for a moment, reasonable. Maybe I'll become a vegan. David Aylsworth's Once I was a Schleppa, Now I'm Miss Mazeppa is complex and fascinating like shattered candy, but I like his uvula-waving yodeler even better: mouth wide, he exposes a junkyard of wrecked biomorphs, like the parts of lost ships in the whale's belly in Disney's Pinocchio. Maya Anderson's disturbing Flea and Fly show relations between the sexes to be a nightmarish sci-fi parasitism. Jim Rizkalla's Incognito is a parade of oddities: a human disguised as a dog disguised as an elephant? The waxed-papery surface hints at the thinness of the identities we base our lives on. Andy Mann's Sparkle Box has the magical quality of any kaleidoscope: the inside is vastly larger than the outside. My fascination with its high tech psychedelia lasted for about two minutes, isn't that enough?- B.D. The Big Show at Lawndale 8/5 This show is an exercise in shedding expectations and looking at things for what they are. In principle I like the style of weird cartoons and crudely painted characters, but crudeness does not automatically equal raw power (see Thornton, Kremers, Abrego). Mark Allen's Bad Kitty, with its happy-diseased background, has a touching personality, and his sad critter boy video has a strange appeal. Prince's mirrored heart is everything you could want: true and perfectly executed. Aylsworth's paintings floor you. Shiny, layered with round shapes that seem awkwardly made, there's somehow more there than you can know.-Delfina Address letters to: Bill Davenport, 801 Tulane St., Houston TX 77007 Mail subscriptions $25/year. Free at Brazos Bookstore, CAM store, Diverseworks, Inman Gallery, Glassell, Lawndale, Menil store, MFAH Bookst. Look for Artletter 9 on July 15