A R T L E T T E R
The Timely Magazine of Art
#37 | <!>previous/ next>!> Artletter index | September 15, 1996 |
Gael Stack at Moody Gallery ends 10/5 Gael Stack's work is contiguous. Paint is not left alone to puddle or pool or drip. Quiet colored- blue, green and scrubby earth toned backgrounds are rubbed in with a nervous hand, then obfuscated with wandering scrawls. There is a rich, neurotic quality to this work as if some Zen pilgrim is searching for tranquility, only to be confounded by so many grocery lists. Much like being in meditation with someone who can't stop muttering to themselves.- Kelley Loftus Joe Mancuso at Barbara Davis Gallery 10/5 Three superb pieces, each the summation of infinitesimal accumulation carried out to its logical conclusion. Along the way, a wealth of unexpected meanings arise naturally from the materials and process. Cone (White), near the door, glistens like an albino phonograph record; Shingle Ring forms the iris of a giant nature eye. One Gallon neatly reprises the original shape of a paint can in a stack of glossy tortillas. At his best, Mancuso gets out more than he puts in: the whole transcends being simply the sum of the parts. Orbit (joint tape) is slightly more decorative and arbitrary, but squeaks by on simplicity of materials and a striking moire effect. Mancuso's best pieces have an inevitability that the lesser pieces lack. Self-limiting, these three pieces have a definite ending dictated by the process. unlike Roll, Straw, and Bundle , which were stopped arbitrarily, leaving an untidy conceptual edge. -B.D. Joe Mancuso at Barbara Davis Gallery 10/5 Using ordinary building construction materials, Mancuso creates objects which transcend functionality. Combining the best of process art, op art and minimalism and conceptualism the sculptures play the aesthetic game of beauty. The Targets do not deserve their promnent location in the gallery. Send the Targets back to Johns.-Greg Tramel Otis Jones at McMurtrey Gallery 10/12 Jones' sculptural pieces have more going on. InWhite Circle , the canvas is stretched like a drum over stacked wooden disks. The off-kilter thick white dot near the center is unexpected. Stacks is best of show for its simplicity. Three balls in ascending sizes: one and two are smooth as cue balls, three is natural wood and visibly carved. Jones two-dimensional works use predictable art materials in a commonplace way: fuzzy juxtapositions of black and white, tastefully softened geometric shapes-- dots, perpendicular lines, half black/half white canvases--all sensitively scuffed around the edges, and a bit cliche.-Delfina Artletter is available the 1st and 15th of every month at Brazos Bookstore, Lawndale, Glassell School, Inman Gallery, Menil Store, CAM Store, Brazil Cafe, and the MFA bookstore. Mail subscriptions $15/year. Address letters to: Bill Davenport, 801 Tulane St., Houston TX 77007